I record the sound of wind in a landscape through field recording, then draw a line based on that memory. While letting the plotter listen to the same sound, I ask it to redraw the line. Throughout the process, we stay in constant dialogue—responding to what each of us feels, and drawing through that resonance.
sway
2025 Sketching sound and landscape
sway form #12 - leafsong
pigment ink pen, paper, field recording
297 × 420 mm, 2025, opus number : nt.3206
sway form #10 - dusk
pigment ink pen, paper, field recording
297 × 420 mm, 2025, opus number : nt.3052
sway form #09 - dawn
pigment ink pen, paper, field recording
297 × 420 mm, 2025, opus number : nt.3050
sway form #08 - uplift
pigment ink pen, paper, field recording
297 × 420 mm, 2025, opus number : nt.3008
sway form #07 - into the deep
pigment ink pen, paper, field recording
297 × 420 mm, 2025, opus number : nt.2075
sway form #06 - at dusk
pigment ink pen, paper, field recording
250 × 250 mm, 2025, opus number : nt.1191
sway form #05 - half awake
pigment ink pen, paper, field recording
250 × 250 mm, 2025, opus number : nt.1051
sway form #04 - morning air
pigment ink pen, paper, field recording
250 × 250 mm, 2025, opus number : nt.998
sway form #03 - in the rain
pigment ink pen, paper, field recording
250 × 250 mm, 2025, opus number : nt.938
sway form #02 - beside the street
pigment ink pen, paper, field recording
250 × 250 mm, 2025, opus number : nt.921
sway form #01 - near the river
pigment ink pen, paper, field recording
250 × 250 mm, 2025, opus number : nt.720