A shape of wind drawn from what I felt by the riverside.
I first traced it by hand, then had the plotter redraw it while listening to the sounds that were flowing through that place—in a quiet, dialogic process between memory and the pen plotter.
sway
I record the sound of wind in a landscape through field recording, then draw a line based on that memory. While letting the plotter listen to the same sound, I ask it to redraw the line. Throughout the process, we stay in constant dialogue—responding to what each of us feels, and drawing through that resonance.